the distinct end of poetry

V-WAKE

The distinct end of poetry is beauty.

& beauty is wholeness, radiance

& harmony, per Stephen Dedalus

– out of Aquinas (Aristotle too, maybe).

Beauty, rounding on itself… dimensional

& resonant.  Unlike the trodden

thoroughfare of explanation,

abstraction (utilitarian, impersonal)

& then Truth stands there, facing you –

smiling, breathing! – the mimesis

resolves at its moral crisis – the

peripeteia of heroine & hero flow through

& it’s all too real, this thunderstorm

in your heart – when Lear

& Cordelia meet again (in fear

& trembling) at the obliteration of all form

all kindly grace, all courtesy & charity

beneath tromping beast-breath

& mincing m’carnal serpent-teeth

– until you hear the tingle of the mercy-

bell (so slight, so bright, so still).  So

I would defend the poets’ cause;

manifest those subtle laws

(human & divine) by which they fulfill

their milky icons, walking through stone

as in an Easter season

at the Great Sabbath Even

when Mary goes to the tomb (afraid, alone)

                         *

& meets the shy gardener (Ever-Living One).

So I would elicit my own

testimony (prodigal son) – &

body forth a pregnant Henry maze, spun

from that seedy Emperor in mid-July

who loved Our American Cousin –

swan-diving into Frisco basin,

branding his heart with fiery Never-Die.

& under the aegis of that orthodox St. Maximus

I would retrace the delicate brushwork

Marsden Hartley (in his Moby Dick

memorial) marked 33 – sea-terminus

or Ocean-birth, Jonah or sepulcher…

black hole or vanishing point,

centering thin, small (paint-

brush) horsehair… your Jerusalem Chamber.

Everything resolving now, in the master play

when Prince Hal meets his father

– O recreant & fickle feather!

Arrogant betrayer!  This your day, boy –

clasp your virulent & blood-soaked crown!

For the rêve-songe in the river-

valley of our May-King quivers

in a V-wake – groans with a birth – your own!

When the Eagle of mute Joachim molts into Dove

& Mammon-prone America restores

Columbia – & when the sun soars

in the oak-bole, & Cordelia mimes… LOVE.

4.17.20

the legend of Guillem d'Orange

CALM EQUILIBRIUM

The frail forsythia across the drive

is leafing now, sweet

milky gold.  Is life complete,

somewhere – some honeysuckle beehive?

The legend of Guillem d’Orange

seeped into the chansons.

Found its way to Stalin’s

cantons – Osip took an interest (étrange

poète – tel joie de vivre!).  Guillem’s

a distant relative, by way

of Negus ancestry –

West Branch an Ethiopia of idioms

& Quaker scattergood.  Small world

of planetary matrices…

– a world Guillem renounces

(adieu, Charlemagne) for cloistered

Provençal sea-cave.  Knight becomes

monk.  & shall Earth rest,

also? – quaint Jubilee bequest

someone foresaw, 3000 years ago?  Sums

multiply… an exponential calculus

bending toward vertigo.  Yet

Osip & Oscar Cullmann know

an elegant solution to the cul-de-sac (us

vs. Rus… general apocalypse).

The restoration in his Name

returns the Other to the Same –

after a darkened Holy Week’s eclipse

                     *

the Wolf shall lie down with the Lamb

& whom Jerusalem encrypts

shall meet Sophie – who skips

from sepulcher to Ghent (near Amsterdam)

to gaze from candid sheepish eyes

into the crippled stadium

(where waves of human tedium

crash against hate-riddled walls)… & rise!

I see that other monk, Franciscan-

Neapolitan Joachim – his spare

horsehair, daubing seraphim

& golden Thunderbird (tall plummet-plan).

Third Aeon of the Holy Ghost,

gyring… with restoration

in her wings.  A gravitation

from the grave – gift become host;

33 years of absolute devotion

(1099-1132)

framed by crane-bone flute

& Marsden’s Melville-crucifixion.

You wonder at my curious forgotten lore.

It isn’t hard to find.

Her golden fleece, refined

by fire, still shines from everywhere;

sheep in witch hazel, murmur-dove,

pearl beyond price… she is

forsythia of everlastingness –

calm equilibrium of Pax (justice & love).

4.8.20

like a gouache by David Jones

LITTLE GROTTO

Day like a gouache by David Jones.

Diaphanous vision, muted

by sea-wind, raincloud.

Mountain, meadow, rust (earth tones).

The nightmare of the Great War

like sulphur tuning fork

or buried line in Eden Park

commingles its dilemma in a metaphor

like rose in steel dust (Roger’s compass,

pointing NNW).

& Image of the Beast is

emblem for the matrix of that enterprise

encrypted at the center of a corn maze

where Satan & his Minotaur

(ICE-bound, possessed) are

snared (handcuffed in their own cold glaze).

The Man of Lawlessness, like Terrible

Ivan – he makes his own desire

the absolute measure;

he’s lost to caritas (in his own bubble).

Imagine Ghiberti’s golden doors

at the Baptistery in Florence

with angels forced to dance

to the lash of demonic matadors…

imagine Eugenio, alongside Clizia

locked in the library

with Mussolini – her sturdy

sun-glance, over the chessboard… ah,

*

bright wings!  When Everyman & Woman

breathe in the heartland

of their living temple… &

Joachim’s eagle plummets through the Plan

of Ages!  Providential restoration, O

downglide of Holy Ghost!

Multitudinous host

of human happiness – blue emerald glow

of soft & silent cat’s-eye revolutions,

roll!  & be the planetary

hearthland, wide prairie…

deep swell of Thunderbird flute sessions!

Because all the world’s a stage, coach;

the play’s the salty verse

for catching Eddy the Perverse,

who suckles his Corona like a roach

out of the Minotaur’s bleak heart –

rotten as… who can say?

God knows.  Only way

’s to pinwheel back where we start,

Pocahontas – up to the swirling

origin of springs.

A little grotto brings

its whisper of clear water.  Everything

draws near.  Pleroma for Fisher King

(little lad in oak tree)

shines, golden, leafy.  His

mother smiles… rainbows from nothing.

3.28.20

winter gematria

DEAD RECKONING

Henry drooped with the blues, his head

on his hand, his wings folded.

Gloom gathers the Gould

with something other than ghost dancing –

rustic farm implements, tongs

in a crucible of heavy rain.

He knows Great Congregation

= love x God+neighbor, yet... wrongs!

The prophet speaks goldenly of such

in his report (Jack

Joachim).  He saw black

where the red-squash bore would touch

his tender rib with a poignard – that son

of a coagulated sow! –

but he rests easy, now

in his little room, in the Forest of Ravlin

I reckon.  Jacques & Jules, Jack

& Jill, tumbled off the wall

& down the hill... so we all

fall down, sang the old buried hack

full of Fathom Fifth.  His vanishing pint

fled like a bat, through a gap

in his rainbow tooth; sap

dribbled from his dank sepulchre, his mint

of 43 years (32 + 11).  She was only 17

when she danced the tyrant-

teller – poky little Calabrian haunt

who yet might spread her wings (sweet halcyon).

1.24.20

one foolish man & three Magi

TURTLE-SHELL

Henry wakes from an old man’s nap

with a child’s sense of space

& time.  Heart’s relentlessness.

Here be the river; here the wide gap

between whispering grassland, distant sky.

Epiphany.  Three Wise Men

camel out from high Tehran

to find one homeless king, in a spare pig sty.

Tonight the belligerent intelligence of war

sent guided Minotaurs

heat-seeking vengeance.  Stars

were collateral damage (kids no more).

The ragged tent-flap & the drafty stall

are Henry’s flimsy turtle-shell.

His mind & heart a broken spell –

a wasteland shack, no longer fit for Grail

or Calabrian hermit-monk, or Parsifal.

Only bring me the gift, Melchior

of your toy myrrh-nef – your

river-sense, emerald, mercurial;

like a 4-leaf clover made of almonds

interlaced... like 4 canoes

bent to the whirlpool’s

mandala (Itasca spiral of palm fronds).

This Providence of tight-coiled J

anchors the Pacific Ocean.

Knots its rose-clay revolution

to a bottled ship – ensign of Milky Way.

1.7.20

throned upon dignity

MY GROUND

The muse of my Ravenna poem

is secret & silent, hidden

in quiet like that Belgian

Isis – adamant black Mom

throned upon dignity in West Branch

shaded by old oaks

& the whisper of spokes

on a windmill (over limitless green avalanche

of cornfields).  She is my implicit

First Mower – my ground

of whispering midwestern sound;

Hobo, curled by his sprung rivulet,

her loving servant & factotum

& my bosom pal;

we three walk out of Hell

by the glow of one sole lux humanum –

an eye-in-hand, like that manifest

benign donation of a palm

opening from the cosmic realm

above Transfiguration of St. Apollinaris

in Classe.  & as we are three-in-one

in the mode of deification

we mirror that diamond Everyone

dwelling in the well of supernal Union

before, within, beyond Creation –

in the heart of the dream-songe

& the rêve-vision, we plunge

toward Restoration like a green acorn

                       *

& rise like ancient Osiris or Lone Ranger

through the climbing limbs

of an emerald Okean Stream

glowing more human (richer, stranger)

& more alive, as we lift toward that

light cross-tree of stars

where gentle Dante stares

& time & space availeth not

& where the marriage of true minds

is blessedness of spiritual grace

as we become one Falcon-

Ace, or Jeanne-eaglet – who finds

her microscopic lamb-lamp in the grass

just as Maggie spied Jesus

composting the flowers

there, in Resurrection Cemetery... Rise,

Sister-Dove!  Walk, Jonah-Lazarus!

& thus the reunion of the universe

is now our interstellar fire-house –

Maggie a tower of almonds (brown eyes

shaken up to smiling Milky Way

between Jerusalem & Athens)

& my dry diagram begins

to melt into a double Tiger-Lily –

like this one (Hobo showed me)

peeking from the shade-weeds

by the Mississippi – beads

of green, black, orange... a flag (you see?).

8.7.19

upon St. Swithin's Day

MONARCH MILK

‘Tis hot & muggy in the octagon

upon St. Swithin’s Day.

& will it rain?  Say.

St. Emperor Henry’s (Holy Roman)

also, once upon a time.  It’s stifling.

An unreal toad usurps

the garden throne, & burps.

His orange tongue is mean, & trifling;

his fire-red refuge-chair is for a child

who hasn’t come home

in 33 years.  Christendom

conquered the Holy Sepulchre... wild

slaughter & rejoicing on this day,
1099.  But will his Ghost

lift from that gloomy host?

Joachim daubs a fingerpaint contrary

blindly, with bare feet (a cave-fresco

for San Francisco).  & Henry

plots his own obscure & minatory

figure : double wheels.  Of milky glow

& river-clay – Cahokia, North Star.

To turn the Great Year

5 29s... & spin from here

some monarch milk (a little almond to restore).

7.15.19

transcendental & irrational path P

THIN BANDS

The outer circle of this diagram

is drawing to a close.

The path P we chose

here loops into its ruddy oriflamme.

An old man’s line of numbers,

transcendental &

irrational.  Thin bands,

ketched for riding heavy combers –

sea-path between good & evil.

One people’s destiny

doubled in duality;

twin circles on their parallel

                **

emerge (amid stars & stripes

& iron bars).  History

halts here : between Rimini

& Ravenna (Venice-Paris) overlaps.

The pilot at the wheel of Providence

eyes the prow of his canoe.

Her figurehead (1132)

blooms from the sepulcher – immense

Redemption, like a Stonehenge grail

from 44 B.C. to 4.14.

Melchizedek stands in between.

The plummet-eye of Joachim sets sail.

3.14.19